I am currently reading my way through a long list of science fiction and fantasy titles. (http://www.npr.org/2011/08/07/138938145/science-fiction-and-fantasy-finalists if you are interested in the list).
There was nothing in the world as magical and terrifying as a girl.
Princess Guinevere has come to Camelot to wed a stranger: the charismatic King Arthur. With magic clawing at the kingdom's borders, the great wizard Merlin conjured a solution--send in Guinevere to be Arthur's wife . . . and his protector from those who want to see the young king's idyllic city fail. The catch? Guinevere's real name--and her true identity--is a secret. She is a changeling, a girl who has given up everything to protect Camelot.
To keep Arthur safe, Guinevere must navigate a court in which the old--including Arthur's own family--demand things continue as they have been, and the new--those drawn by the dream of Camelot--fight for a better way to live. And always, in the green hearts of forests and the black depths of lakes, magic lies in wait to reclaim the land. Arthur's knights believe they are strong enough to face any threat, but Guinevere knows it will take more than swords to keep Camelot free.
Deadly jousts, duplicitous knights, and forbidden romances are nothing compared to the greatest threat of all: the girl with the long black hair, riding on horseback through the dark woods toward Arthur. Because when your whole existence is a lie, how can you trust even yourself?
An excellent re-invention of the King Arthur mythos. Taking a cue from The Mists of Avalon, this version is told from the perspective of Guinevere, a changeling girl sent by Merlin to be King Arthur’s bride.
The big problem is that magic has been banished from Camelot and Guinevere is a manic pixie dream girl! She is looking at the relationship like a job and Arthur is willing to humour her, but as they spend more and more time together, both of them start to think that perhaps they would like to expand that role….now how do they let their desires be known?
White uses some interesting changes in relationships (Mordred isn’t Arthur’s illegitimate son) and some wonderful changes in gender of at least one character to make this a very up-to-date feeling version of the Arthur cycle. By doing so, she freshens up a story that most of us feel that we’re pretty familiar with.
I can hardly wait for the next installment in 2020