I am currently reading my way through a long list of science fiction and fantasy titles. (http://www.npr.org/2011/08/07/138938145/science-fiction-and-fantasy-finalists if you are interested in the list).
For twenty years Claire Randall has kept her secrets. But now she is returning with her grown daughter to Scotland's majestic mist-shrouded hills. Here Claire plans to reveal a truth as stunning as the events that gave it birth: about the mystery of an ancient circle of standing stones ...about a love that transcends the boundaries of time ...and about James Fraser, a Scottish warrior whose gallantry once drew a young Claire from the security of her century to the dangers of his ....
Now a legacy of blood and desire will test her beautiful copper-haired daughter, Brianna, as Claire's spellbinding journey of self-discovery continues in the intrigue-ridden Paris court of Charles Stuart ...in a race to thwart a doomed Highlands uprising ...and in a desperate fight to save both the child and the man she loves....
Not a bad historical fantasy, but I have some issues with it. I kept putting off my reading until close to its due date at the library. Even when I got started and the deadline was approaching, I kept looking longingly at other books on my library book pile and had to force myself to keep reading this one.
First, the book starts with Claire returning to Scotland (in the 20th century) with her grown-up daughter Brianna. They meet a charming young Scotsman, Roger MacKenzie, and sparks fly between Brianna and Roger. Well & good, I am interested in this new plot line. But does Gabadon stick with it? No, everything takes an abrupt left turn, back into the past and we’re back in time with Claire & Jamie. And there are HUNDREDS of pages between appearances of Roger & Brianna.
The historical fantasy isn’t bad, as historical fantasies go, it just wasn’t what I was interested in. Claire & Jamie, blah blah, blah, Bonnie Prince Charlie, blah, blah, blah, Battle of Culloden, more blather. The manuscript is padded with all kinds of vignettes which do absolutely nothing to move the action along and only bogged me down (when Claire & Jaime discover the cave paintings, anyone?)
And this is going to sound very pedantic, but she mentions birds in the course of the book four times and only gets it right once. In the very beginning, chickadees are referenced. Well, there aren’t any chickadees in Scotland—they have related birds, the tits. If Claire had seen/heard Blue Tits or Coal Tits, that would be accurate, but not chickadees. At another point, Claire is woken by a mockingbird. No dice, there aren’t mockingbirds in France. Claire hears a meadowlark—impossible! Maybe a Skylark, but there aren’t meadowlarks in Europe. At least when Jamie feeds crumbs to some sparrows, she just leaves them as generic sparrows and doesn’t assign a species. I even hauled out my Birds of Europe with North Africa and the Middle East just to check that I hadn’t lost my mind, but it backed me up. If you want accurate historical fiction, you can’t just go sticking North American birds into a novel set in Scotland and France!
Okay, bird rant over. I can tell how un-involved I was in the story that I’d be counting and evaluating the appearances of birds in the text.
One thing I did enjoy was the prominence of genealogical research in the plot line. Turns out that Claire’s 20th century husband, Frank, fortuitously counted some of the characters in this narrative in his family tree and had made a big enough deal of it that Claire was aware of these details. She spends a fair bit of time convincing the 18th century husband, Jamie, not to kill these relatives too soon, to ensure that Frank will be born. There’s more talk of the paradox of time travel in this novel, and I enjoyed those speculations.
Book number 283 in my Science Fiction and Fantasy Reading Project.