I am currently reading my way through a long list of science fiction and fantasy titles. (http://www.npr.org/2011/08/07/138938145/science-fiction-and-fantasy-finalists if you are interested in the list).
A skilled painter must stand up to the ancient power of the faerie courts—even as she falls in love with a faerie prince—in this gorgeous debut novel.
Isobel is a prodigy portrait artist with a dangerous set of clients: the sinister fair folk, immortal creatures who cannot bake bread, weave cloth, or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and Isobel’s paintings are highly prized. But when she receives her first royal patron—Rook, the autumn prince—she makes a terrible mistake. She paints mortal sorrow in his eyes—a weakness that could cost him his life.
Actual rating: 4.25 stars. Better than your average Fae tale, but not quite up to the same bar as Cold Hillside by Nancy Baker, which for me sets the standard. I’ve been addicted to the Fae ever since I ran across them in Patricia Briggs’ Mercy Thompson series and I am fortunate that so many authors continue to indulge my fascination!
This is the Fae the way I like them—dark, powerful, tricksy, slippery, unreliable and unaccountably interested in humans. As a portrait artist, Isobel must always be careful in her requests for payment, as a Fae spell can work for you for a while, but twist into something damaging later. She is always aware that she is only seeing the glamour of her portrait-sitters, not their true appearance—and they seem fascinated to discover exactly what Isobel sees. Does she see too much? As a seventeen year old, is she too innocent for her own good?
I am almost sad that this is a stand-alone volume and I will definitely be picking up anything that Ms. Rogerson publishes in the future.