I am currently reading my way through a long list of science fiction and fantasy titles. (http://www.npr.org/2011/08/07/138938145/science-fiction-and-fantasy-finalists if you are interested in the list).
She flees on her wedding day. She steals ancient documents from the Chancellor’s secret collection. She is pursued by bounty hunters sent by her own father. She is Princess Lia, seventeen, First Daughter of the House of Morrighan. The Kingdom of Morrighan is steeped in tradition and the stories of a bygone world, but some traditions Lia can’t abide. Like having to marry someone she’s never met to secure a political alliance.
Fed up and ready for a new life, Lia escapes to a distant village on the morning of her wedding. She settles in among the common folk, intrigued when two mysterious and handsome strangers arrive—and unaware that one is the jilted prince and the other an assassin sent to kill her. Deceptions swirl and Lia finds herself on the brink of unlocking perilous secrets—secrets that may unravel her world—even as she feels herself falling in love.
Holy Mother of Love Triangles, Batman!
However, having said that, it’s a common trope in Romance novels, and is used quite effectively in this YA novel. Of course our main character is a princess, one who has become a runaway bride. Unwilling to marry for political purposes to a young man that she’s never even met, Lia takes off on her wedding day and sets her sights on becoming a commoner.
Enraged that his bride has kicked over the traces, her betrothed goes looking for her. He seems unsure of quite why—maybe he just wants to look at the woman he’s lost, maybe he wants revenge. Also pursuing the fugitive bride is an assassin from a neighbouring kingdom whose job it is to eliminate the princess and thus make sure that these two countries don’t unite against his.
The inevitable (in romantic fiction) happens and both young men unexpectedly find that they really like Lia. They both (unwisely) spend time with her and learn the reason that she fled and the things that matter to her. Lia finds that she likes both young men, not knowing that they have ulterior motives for spending time in her company.
I have to say that it took me 2/3 of the book to figure out which name belonged to which man! I could have sorted it out, but preferred to just plough on until the matter sorted itself out. I didn’t really find the assassin’s task to be a sensible one—just let the princess stay lost and the situation resolves itself! Plus, Lia’s quick adaptation to working at an inn seemed too easy. Despite those misgivings, I think that my teenage self would have loved this book. It makes at least as much sense as the Victoria Holt and Mary Stewart books that I was devouring at that age!